7 projects · 14 voice pieces · 4 positions · 4 terms in office · born 1986
-
projects/ 7 entries
-
primeiraplateia.pt founder and maker · product 2016 → live
A Cultura no melhor lugar. Portugal's cultural agenda in one place: over 1,500 events on show, across 77 venues in 33 municipalities — every district and autonomous region.
I made it because I love theatre and could never find out what was on: the national listings used to live scattered across each company's and each venue's own site.
Filter by day, by free admission and by accessibility. Follow artists and venues. Weekly newsletter.
Born in 2016 as EmCena.pt, a listings site for Lisbon theatre. Renamed and relaunched in 2026, now nationwide.
A pipeline of my own collects and normalises the listings, venue by venue; the final pass is mine.
I founded it, I run it, I built it.
- role
- founder and maker · product
- period
- 2016 – ongoing
- stack
- Next.js · Supabase · pipeline Python
- source
- github.com/fvsalgado/primeiraplateia — opens in a new window
- address
- primeiraplateia.pt — opens in a new window
-
onofriana.pt co-founder and producer · site 2026 → live
Fado: curation, production and programming.
Named after Maria Severa Onofriana. Four formats: Severa, Mariquinhas, Guitarradas and Vimioso.
We represent artists and put on the concerts. Record releases, now and then.
Artistic curation is by Marta Rosa, my partner.
- role
- co-founder and producer · site
- period
- 2026 – ongoing
- address
- onofriana.pt — opens in a new window
-
franciscasalgado.golf site author 2026 → live
A golfer's path, season by season: WAGR and European rankings, partnerships, press and WITB.
Francisca is my niece.
- role
- site author
- period
- 2026 – ongoing
- address
- franciscasalgado.golf — opens in a new window
-
martarosa.pt site author 2026 → live
The site of a fado singer who writes what she sings: calendar, discography, press kit and booking.
Voice, fado viola, and her own lyrics.
- role
- site author
- period
- 2026 – ongoing
- address
- martarosa.pt — opens in a new window
-
travertina.casa product author 2026 → private
A house run like a company: calendar and tasks, contacts and contracts, wallet and cash flow, credit, utilities, taxes, shopping and transport.
I made it as an answer to a problem of autonomy: putting building work, equipment upkeep, animal appointments — vaccines and the like — and home automation in one place, and on the phone. Each module works like an app; they are all connected.
- role
- product author
- period
- 2026 – ongoing
- stack
- Vite · Supabase (RLS) · PWA offline-first
- access
- private, behind authentication
-
fado.today author 2026 → live
Selling fado experiences in Lisbon: six houses, chosen by someone who lives in Alfama.
- role
- author
- period
- 2026 – ongoing
- address
- fado.today — opens in a new window
-
pospopular product author 2026 → private
It came out of a real need: a community organisation had to keep its own billing under control. It is in use, and it is available to others.
- role
- product author
- period
- 2026 – ongoing
- stack
- React · Vite
- access
- private, behind authentication
-
-
voice/ 14 entries 1 h 54 min
-
Transborda 2025 Casa da Dança, Almada 2025 0:20
Promotional film for the 5th International Performing Arts Festival of Almada, 17 April to 11 May 2025.
what is said
Transborda — 5.ª Mostra Internacional de Artes Performativas de Almada, de 17 de abril a 11 de maio. Espetáculos, laboratórios, performances e conversas. Artistas movidos pelo desejo de exceder fronteiras!
- author
- Casa da Dança, Almada
- role
- voice
- organiser
- Transborda, Almada
- published
- 2025
- length
- 0:20
- picture
- 1280×720
- file
- transborda-2025.mp4 · 3.5 MB
- at the publisher
- facebook.com/reel/1567148937283493 — opens in a new window
-
Transborda 2023 Casa da Dança, Almada 2023 0:20
Promotional film for the 3rd International Performing Arts Festival of Almada, 29 April to 14 May 2023.
what is said
Transborda — 3.ª Mostra Internacional de Artes Performativas de Almada. Espetáculos, oficinas, conversas e performances. De 29 de abril a 14 de maio. Artistas movidos pelo desejo de exceder fronteiras!
- author
- Casa da Dança, Almada
- role
- voice
- organiser
- Transborda, Almada
- published
- 2023
- length
- 0:20
- picture
- 960×540
- file
- transborda-2023.mp4 · 2.0 MB
- at the publisher
- facebook.com/reel/259311793127459 — opens in a new window
-
Alucinar o estrume Júlio Henriques 2019 6:29
A short story by Júlio Henriques.
- author
- Júlio Henriques
- role
- reading
- series
- Alta Voz · esquerda.net
- published
- 09/09/2019
- length
- 6:29
- file
- alucinar-o-estrume.mp3 · 6.2 MB
- at the publisher
- esquerda.net/audio/alucinar-o-estrume-julio-henriques — opens in a new window
-
Vazio estratégico: o governo como objetivo Manolo Monereo 2019 17:52
An article by Manolo Monereo, in the Portuguese translation by Carlos Santos.
- author
- Manolo Monereo
- role
- reading
- series
- Alta Voz · esquerda.net
- published
- 09/07/2019
- length
- 17:52
- file
- vazio-estrategico.mp3 · 17.1 MB
- at the publisher
- esquerda.net/audio/vazio-estrategico-o-governo-como-objetivo — opens in a new window
-
Torto Arado Itamar Vieira Junior 2019 8:04
An excerpt from the novel by Itamar Vieira Junior.
- author
- Itamar Vieira Junior
- role
- reading
- series
- Alta Voz · esquerda.net
- published
- 18/02/2019
- length
- 8:04
- file
- torto-arado.mp3 · 7.8 MB
- at the publisher
- esquerda.net/audio/podcast-torto-arado — opens in a new window
-
A Revolução esquecida Carlos Carujo 2019 13:23
An article by Carlos Carujo on Rosa Luxemburg.
- author
- Carlos Carujo
- role
- narration
- series
- Alta Voz · esquerda.net
- published
- 22/01/2019
- length
- 13:23
- file
- revolucao-esquecida.mp3 · 12.6 MB
- at the publisher
- esquerda.net/audio/podcast-revolucao-esquecida — opens in a new window
-
Uma árvore de Natal e um casamento Fiódor Dostoiévski 2018 17:35
A short story by Fiódor Dostoiévski, in the Portuguese translation by Ruth Guimarães.
- author
- Fiódor Dostoiévski
- role
- narration
- series
- Alta Voz · esquerda.net
- published
- 17/12/2018
- length
- 17:35
- file
- arvore-de-natal.mp3 · 16.5 MB
- at the publisher
- esquerda.net/audio/uma-arvore-de-natal-e-um-casamento-de-dostoievski — opens in a new window
-
As três críticas de Marx Daniel Bensaïd 2018 16:32
From “Marx, o Intempestivo”, by Daniel Bensaïd.
- author
- Daniel Bensaïd
- role
- reading
- series
- Alta Voz · esquerda.net
- published
- 03/12/2018
- length
- 16:32
- file
- tres-criticas-de-marx.mp3 · 15.7 MB
- at the publisher
- esquerda.net/audio/tres-criticas-de-marx — opens in a new window
-
Uma grande família Jorge Costa et al. 2018 6:49
An excerpt from “Os Donos de Portugal”, by Jorge Costa, Luís Fazenda, Cecília Honório, Francisco Louçã and Fernando Rosas.
- author
- Jorge Costa et al.
- role
- reading
- series
- Alta Voz · esquerda.net
- published
- 08/10/2018
- length
- 6:49
- file
- uma-grande-familia.mp3 · 6.2 MB
- at the publisher
- esquerda.net/audio/uma-grande-familia-trecho-de-os-donos-de-portugal — opens in a new window
-
«Documentos do Pentágono» influenciaram desfecho no Vietname Luís Leiria 2018 21:03
An article by Luís Leiria, first published on esquerda.net in 2010.
- author
- Luís Leiria
- role
- reading
- series
- Alta Voz · esquerda.net
- published
- 31/07/2018
- length
- 21:03
- file
- documentos-do-pentagono.mp3 · 19.5 MB
- at the publisher
- esquerda.net/audio/documentos-do-pentagono-influenciaram-desfecho-no-vietname — opens in a new window
-
Futebol: As origens Eduardo Galeano 2018 5:16
From “Football in Sun and Shadow”, by Eduardo Galeano, in the Portuguese translation by Eric Nepomuceno and Maria do Carmo Brito.
- author
- Eduardo Galeano
- role
- reading
- series
- Alta Voz · esquerda.net
- published
- 09/07/2018
- length
- 5:16
- file
- futebol-origens.mp3 · 4.9 MB
- at the publisher
- esquerda.net/audio/futebol-origens — opens in a new window
-
Destaque poético a Alberto Pimenta Alberto Pimenta 2016
Fotografia de Raul Pinto 
Fotografia de Raul Pinto A reading in the poetic emphasis on Alberto Pimenta that opened the 3rd PortugalSLAM — International Festival of Poetry and Performance, on the theme “Language: Barriers and Bridges”. Conversations, performances and readings around the poet’s work, with Ana Deus, Cátia Sá, Claudia Madeira, Rosa Azevedo and poets from the PortugalSLAM collective.
- author
- Alberto Pimenta
- role
- reading
- organiser
- PortugalSLAM
- where
- Casa dos Amigos do Minho, Lisboa
- when
- 07/10/2016
- pictures
- Fotografia de Raul Pinto
- page
- portugalslam.wordpress.com/programacao-3/ — opens in a new window
-
Noite a solo Fábio Salgado 2016
A solo night at Quartas da Palavra, the weekly word evening at Sagrada Família. A programme of my own, between paper books, a phone, video, documentary and sung music — from Carlos Paredes to Zeca Medeiros, Tom Zé, Beatriz Azevedo and Alberto Pimenta. Ângela Correia wrote about the night in Bibliotrónica Portuguesa.
- author
- Fábio Salgado
- role
- performance
- organiser
- Quartas da Palavra
- where
- Sagrada Família, Rua dos Remédios, Alfama, Lisboa
- when
- 29/06/2016
- page
- bibliotronicapt.pt/ler-e-ouvir-ler-em-alfama/ — opens in a new window
-
Poemas de Alberto Pimenta Alberto Pimenta 2016
Cartaz das Terças de Poesia Clandestina A reading at the rentrée of Terças de Poesia Clandestina, the session where the series returned after a year’s pause to take up a fortnightly residency at Casa Independente. Eleven readers, one author each, with musical accompaniment by Pedro Anselmo.
- author
- Alberto Pimenta
- role
- reading
- organiser
- Terças de Poesia Clandestina
- where
- Casa Independente, Largo do Intendente 45, Lisboa
- when
- 07/06/2016
- pictures
- Cartaz das Terças de Poesia Clandestina
- page
- facebook.com/TPoesiaClandestina — opens in a new window
The 9 readings are the original files of what esquerda.net published — the podcast feed no longer serves them, which is why they live here. The 2 films came from the Transborda page. Of the 3 pieces performed on stage no recording survives — what is left are whatever pictures there were, and the page of whoever hosted them or wrote about them. The voice is mine; the texts and the pieces belong to those who made them, and every entry links to its source.
-
-
career/ 4 entries
-
Public affairs consultant · ATREVIA 2022 →
I follow the Portuguese legislative and regulatory process and design the response: whom to talk to, when, and with what.
From advice to delivery, for clients across sectors — regulation, institutional relations, communication with decision-makers.
I map who decides and who influences, working with teams across disciplines.
-
Adviser · Câmara Municipal de Lisboa 2018–2022
Adviser to the councillor for Culture, Housing, Human Rights and Social Rights.
Legislative analysis, reports, motions and proposals — from framing to final wording.
Alongside that, the office's communications and social media, and producing the events those areas ran.
-
Barman · Bartô 2015–2017
At Bartô, the bar and small venue inside Chapitô, in Lisbon. Behind the counter, and stage-hand work in the room itself. Culture seen from the side that sets up and tears down.
-
Owner · Lisbon Souvenir 2010–2014
The first business of my own, in Lisbon: buying, selling, the books and the counter.
-
-
office/ 4 entries
-
Member · Assembleia de Freguesia de Santa Maria Maior, Lisboa 2017–2021
The parish of Lisbon's historic centre — Alfama included.
-
Municipal Assembly Deputy · Assembleia Municipal da Nazaré 2013–2015
A third candidacy, and the term I cut short halfway.
-
Municipal Assembly Deputy · Assembleia Municipal da Nazaré 2009–2013
A new candidacy, and the only one of the three I served from start to finish.
-
Municipal Assembly Deputy · Assembleia Municipal da Nazaré 2007–2009
Number two on the list and election agent for the 2005 candidacy, at 19.
I took office by substitution in 2007, at 21 — halfway through the term, and not by election.
-
-
certificates/ 8 entries
- Moral Foundations of Politics Yale University 2024 opens in a new window
- Corporate Communications University of California, Irvine 2024 opens in a new window
- Public Relations and Communications Associate Microsoft 2024 opens in a new window
- Lobbying and Advocacy International Training Centre of the ILO (ITCILO) 2024 opens in a new window
- Communicating with Presence IESE Business School 2024 opens in a new window
- Using Public Policy for Social Change University of Michigan 2024 opens in a new window
- Project Management Google 2024 opens in a new window
- Future Ready Company London Business School 2024 opens in a new window
Online courses, taken independently. Not degrees from these institutions.
-
contact/
Projects, partnerships and conversations start here.
- fabio@salgado.zip
- www.linkedin.com/in/fvsalgado — opens in a new window
- where
- Alfama, Lisbon · Ribeira Branca, Torres Novas
- from
- born in Nazaré
- cv
- Fabio-Salgado-CV-PT-2026-08.pdf Fabio-Salgado-CV-EN-2026-08.pdf
- languages
- Portuguese (native) · English (advanced, EF SET C2) · Spanish (intermediate) · French (intermediate) · Portuguese Sign Language (basic)
-
colophon/
Static Astro; IBM Plex type, self-hosted.
9,123 lines of code across 59 files. One data source; the page, the PDFs, the resume.json and the zip come out of it.
Designed, written and built together with Claude — Claude Code, by Anthropic — among other tools.
- source
- github.com/fvsalgado/salgado.zip — opens in a new window
- licence
- AGPL-3.0 — opens in a new window
-
files/ 4 entries
- Fabio-Salgado-CV-PT-2026-08.pdf 478 kB The full document, in Portuguese: career, projects, voice, elected office, certificates, languages and contact.
- Fabio-Salgado-CV-EN-2026-08.pdf 478 kB The same document, in English.
- resume.json 15 kB The same content in JSON Resume format, for machines.
- salgado.zip 912 kB Everything above, in one archive. The domain doing what it says.
-
privacy/
No cookies, no advertising, no profiles. What follows is what actually exists.
- controller
- Fábio Salgado, in a personal capacity. The contact is in the contact node.
- what data
- Server logs: IP address, browser and time. A cookieless measurement of visits: page, referrer, country, system and device type, with the visit identified by a cryptographic digest of the request. And whatever you write to me.
- what for
- To serve the page, keep it up and know how many people read it. None of it feeds advertising, profiles or automated decisions.
- how long
- A visit’s identifier lasts 24 hours. Server logs follow the host’s retention. Whatever you write to me stays as long as the conversation makes sense.
- who else handles it
- Vercel, which hosts and measures, as a processor. Nobody else: the page makes not a single third-party request.
- your rights
- Access, rectification, erasure, restriction, objection and portability: write to the address above. If I do not resolve it, you may complain to the Portuguese data protection authority (CNPD).
-
accessibility/
Audited on 20 August 2026 against WCAG 2.2, level AA. Partially conformant: the exceptions are named below, one by one.
- checked automatically
- Before every release, a battery of checks runs over every page, in both themes, with the tree closed and open, and blocks it if anything turns up: axe-core end to end, contrast computed from the colours, the whole tree opening and closing with JavaScript off, the video captions checked against each film’s length, the new-window warning on every link that leaves the site — in the arrow, for those who see it, and in the accessible name, for those who do not — and the page walked by tabbing, key by key, with no element holding the focus.
- measured by hand
- What a tool cannot see: reflow at 320px with no horizontal bar, the standard’s text spacing with nothing clipped, every small target with the 24px separation the standard asks for, and the focus ring at 11:1 in the light theme and 8.9:1 in the dark.
- what does not conform
- The nine readings have no transcript (criterion 1.2.1): they are texts by other authors, published by esquerda.net, and every entry links to its source page — putting the full text here would be republishing it. The two films now carry captions and a written transcript, but not a description of what is on screen (1.2.3 and 1.2.5): describing footage I did not shoot would be inventing it.
- what this is not
- An independent audit. It was done by the person who built the site, with an open tool and a described method, and all of it is in the repository for anyone who wants to repeat it or prove it wrong. A third-party audit is a different thing, and there is none.
- if you hit a barrier
- Write to the address in the contact node. Say what you were trying to do and with what tool; I fix it and tell you when it is done.